[ARTICLE] Lee Heeseung leaves originally 7-member K-pop group ENHYPEN

Today, March 10th 2026, BELIFT released a statement on Weverse and stating that Lee Heeseung will be parting from the K-pop group, ENHYPEN.

“Hello, this is BELIFT LAB.
We would like to express our gratitude toward ENGENE for their unwavering support for ENHYPEN and provide information on ENHYPEN’s future activities.
BELIFT LAB has given much thought and consideration into ENHYPEN’s future direction and goals. Through in-depth discussions with each of the members about the future they envision and the direction of the team, it became clear that HEESEUNG has his own distinct musical vision and we have decided to respect it.
As such, HEESEUNG will be parting ways with ENHYPEN, and ENHYPEN will continue official activities henceforth as a group of six members.
It’s difficult to relay the whole process through a short notice, but this decision comes after extensive deliberation. We understand that this news is a lot to process and may be received with mixed reactions. Nevertheless, we hope you understand that this decision was made for the future of ENHYPEN and HEESEUNG.
ENHYPEN remains committed to sharing energetic performances with ENGENE. HEESEUNG will be preparing a solo album as an artist under BELIFT LAB.
We ask for ENGENE’s continued love and support for ENHYPEN and HEESEUNG as they start a new chapter of their journey.
Thank you.”

This was released at 16:00 KST and brought out frustration and sadness from ENGENE’s (fans) such as myself.

9 minutes later at 16:09 KST, Heeseung released his own statement on Weverse. In short, he showed his gratitude towards the fans and said that he is preparing hard to see the fans as soon as possible.

Fans were bamboozled at this and adamant that it was not a planned decision as their merchandise drop was unexpectedly postponed. Why would they postpone a merch drop if this was a planned decision? Even if it was planned, the timing of it is strange because there are still events they are/ were scheduled to attend as a 7-member group.

Not even 5 hours later, petitions were created for BELIFT to reconsider their decision and have Heeseung pursue a solo career without having to leave the group. Choi Yeonjun was mentioned multiple times under fan-posts, as he was able to pursue a solo career whilst staying in the K-pop group TOMORROW X TOGETHER (TXT). However, it is no secret that the K-pop industry has been accused of overworking it’s workers, so it may have also been a work-life balance decision. For example one of the petitions was made on change.org which you can view here – it currently has over 200,000 (time is 17:00 GMT).

Moreover, fans have made their own theories on his “distinct musical vision”, that it may be the mixtape he was excited to show ENGENE’s which he expressed in his EN-loG posted on Youtube in 2025. He also dropped a ringtone for fans and showed the behind-the-scenes of it, which then had people commenting “drop the solo album!”. The contrast in attitudes from those comments till then and now are drastic – “I feel slightly guilty because I was always saying like when’s he gonna drop that album he needs to drop it now.. and now he finally is but as a soloist, it just doesn’t feel right.” – @/_.rihvnna on Instagram.

To lighten the mood, international ENGENE’s are urging K-ENGENE’s to send trucks in protest to HYBE for BELIFT to listen to fan’s concerns or at least give them more of an explanation on X – you can find a post uploaded by ENHYPEN HEESEUNG GLOBAL about fundraising for a truck with 4 payment options. For context, in December 2024, some immature fans sent a truck to Yang Jungwon with cruel text on it from merely dating rumours with Winter from AESPA. So the somewhat “joke” is that they should “make themselves useful”.

A post by @/enhypen_members on X was uploaded at 00:41 KST, saying that we should respect the decision made, they shall continue to grow and showed gratitude for ENGENE’s support. This is seen as almost a confirmation to fans that there really is No Way Back.

UPDATE 1 – PROTESTS:

Around 1:30 KST on 11th March 2026, the petition on change.org (linked previously) has reached over one million signatures. This is all under 48 hours – this really shows the intensity of Heeseung’s fans love for him. Moreover, there are protests outside of the HYBE building and nearby in Seoul, Korea, with the common phrase “ENHYPEN is 7”.

photo credits – @/dazedwonnie on discord

Fans hope to be taken seriously as this has clearly affected a large scale of people; they are determined to not give up as they have stated that even though it took over a year, Mark Lee from NCT Dream returned back to the group, they should not give up. ENGENE’s will be by Heeseung’s side, No Doubt.

Fans on X have also posted about an alleged flight cancellation for the now ex-member whilst trying to gain insider intel which you can find on @/bvnnyhoon’s page here.

UPDATE 2 – IS HE REALLY GONE?

Jake and Jay (the now two oldest members of ENHYPEN) appeared on The Morning Show (Australian) via video call on March 12th 2026 at roughly 11:00 AEDT. They were asked about how they do not have fixed choreo formations and Jake responded with “there’s been a change in choreo formations” which left fans Drunk-Dazed at the subtle confirmation from the members that Heeseung is really gone and will not be making an appearance at the Hello, Melbourne festival.

Later on, at 18:00 KST on March 12th 2026, this was posted by Applewood Korea, a global entertainment company on X:

This has given fans even less hope on a return from the ex-member.

UPDATE 3 – EN-O’CLOCK CANCELLATION:

BELIFT has released another statement on X, on March 11th 2026 at 21:00 KST, regarding ENHYPEN’s variety show “EN-O’CLOCK” being cancelled.

Since the Tuesday of this week where fans were hit with news of Heeseung’s departure, they were waiting to see whether the weekly show would have any major cuts of Heeseung’s screen time. Instead, they were distraught to hear that they have decided to cancel the show entirely. ENHYPEN released a teaser for this new series of EN-O’CLOCK on YouTube you can see here.

Fans are left wondering whether we will ever see that content they had teased in this video. As seen above, BELIFT said “We will return with even better content in April.”.

“The way that the company’s acting it’s as if he was never apart of the group and that’s not fair.”

2 ENGENE opinions on EN-O’CLOCK cancellation – @/am4mna and @/kitkatwonn on instagram.

“ENGENE’s are gonna fight for Heeseung’s right.”

ENGENE’s are curious to what this “better content” is. Why are they trying to erase him? Surely, if there was nothing serious beneath all this, there’s nothing wrong with him being seen with his former bandmates – he’s still under the same company. Until then, fans remain caught in a lingering Fever of questions.

UPDATE 4 – SUBTLE SIGNS?

I am now at the fourth update and I would like to apologise that most of my updates involve claims made and evidence are from X and Instagram, however I believe it is still credible as it encapsulates the chaos that fans are going through.

ENHYPEN are Prada ambassadors, so they attend their events as they would. Yesterday, on 12th March 2026, Jungwon was seen raising in hands into the connect symbol. This gesture was shown to fans outside the events perimeter through a window.

Screenshot of gesture taken from @/tatiw∅n ‘s post on X

Why is this so significant? It’s just their introductory gesture? As a matter of fact, Heeseung created this gesture back in 2020 when they had debuted as a 7-member group. Fans are taking this as a sign of hope – a moment that almost seems to Foreshadow the group speaking up despite the risks.

UPDATE 5- HEESEUNG STILL APART OF PROMOTIONS:

If you’ve made it up to here, you must not be surprised that my next piece of evidence comes from someone’s post on X.

From March 13th to March 18th 2026, there is a final YZY fancall event purchase period for ENHYPEN’s album The Sin: Vanish which includes the 6 ENHYPEN members as an option and Heeseung. However Heeseung is scheduled to have it as a different date from the other members, on the 6th April, instead of the 26th March.

I have translated the following media from Chinese to English via Google Lens so it is easier to understand by reading from the post than my regurgitation.

YZY final fan-call announcement.

Fans are furious at BELIFT for this as it is contradictory to their statement of Heeseung leaving:

Examples of X posts about this.

Having him do it on a different date is only giving the message that although he isn’t a part of ENHYPEN anymore, the company is still going to make as much use of him as possible after their last comeback — treating him like a product, something that should be Not For Sale.

UPDATE 6 – ENHYPEN IN AUSTRALIA:

If you remember from my second update, I wrote about APPLEWOOD’s statement saying that Heeseung will not be performing in Australia with the rest of the ENHYPEN members for their first visit as a group. Today, 14th March 2026, the concert happened as a 6-member group, as you could imagine. However, what really caused fans to be angry, was the picture displayed on the screen before they had started to perform.

photo taken from X where multiple people have reposted it, unable to find person who initially uploaded it.

For them to photoshop an image onto a Melbourne-style background and cut out one of the members is just hurtful for the group and its fans; for many, it feels like a Forget Me Not moment, almost as if they’re trying to erase his existence.

UPDATE 7 – INTERNATIONAL REACH:

K-pop fans around the world have protested so hard that this news is reaching internationally. It has hit Dutch news NOS, ads in Monterrey, Mexico (Figure X), change.org UK’s Instagram, NYC Times Square Billboard (Figure X2)and much more areas, whether that’s the news, adverts, pop-ups or protests. It is clear this issue needs to be addressed properly through BELIFT themselves, instead of having their words regurgitated through news outlets with no proof of their statements. The One and Only media that can be trusted right now is BELIFT’s official statements, usually done through Weverse.

Figure X
Figure X2

UPDATE 8 – FABRICATION?

Today, March 15th 2026, The Korea Herald released an article claiming that BELIFT has re-affirmed that Heeseung will not be returning to ENHYPEN. Fans on all social media platforms are criticising this article for many reasons. One being that BELIFT themselves have not released this statement, so how are we to trust this article? Also, the article says and I quote: “According to the agency, Enhypen’s schedule remains extremely demanding throughout the year, making it difficult for members to develop independent musical projects while maintaining full group activities.” This is almost a confession to how the company overworks their artists; as their company, they are in-control of their schedule and can change this, if they really wanted to. As I have said at the beginning, other people have been able to do solo careers whilst staying under their company (e.g. Choi Yeonjun in TXT) – so how is this any different? The backlash they are facing for removing Heeseung, without a goodbye or any sort of actual reasoning, is almost Karma.

– cover image credits: @/tazeeennn on instagram –

[ARTICLE] Oh, how I love being a fangirl.

Today, the 28th November 2025, the MAMA awards was held in Hong Kong – and watching ENHYPEN win the daesang hit much harder than I expected.

It brings me joy to see people win awards because I believe everyone has something to celebrate; the happiness on their faces, the disbelief, the gratitude — it’s such a pure type of moment. There’s something so comforting about seeing people finally receive what they’ve been working towards.

The voting for the VISA Fan’s Choice Award was held from 30th October to 10th November 2025. From then, I made it my mission to vote every day for my ult group – and so did many other ENGENEs. The voting worked so that you could vote once per device, so I even went ahead and asked my family and friends to vote. I may have made promises I did not intend on keeping at all, like owing them a meal if ENHYPEN won… but I’m sure they’ve forgotten about that! When it came to the final vote, I ended up talking to people in my uni who I didn’t speak to regularly just so they could vote — and bless their hearts, they actually did. They were hesitant though, may I add: “Your group better win after this.”

So, today from 10:30 AM, I was watching the awards live, unable to take my eyes off it. Wherever I went, my phone was in front of me — there was no way I was missing any of it. The live vote was announced shortly after and ended within an hour. After a good three hours, it was finally time for the VISA Fan’s Choice Award winner to be announced. I held my breath; it’s almost as if time stood still for a moment. There had been known misconduct with the voting, such as people cloning accounts, so towards the end of the vote ENHYPEN wasn’t placed as number 1. There really was no way of knowing if they were going to win.

I had waited so long for this moment. As soon as the host said “ENHYPEN,” I cheered as if it was my own win. Seeing them get what they dreamed of achieving in 2025 warmed my heart so much. Yang Jungwon — the leader of the group — of course began his speech with, “ENGENE!!!” Bless his heart, he broke into tears after that, and so did all of us who were rooting for them. It was such an emotionally intense moment, even more so for them.

Moreover, they promised their fans they would publish their Chamber 5 (Dream of Dreams) dance practice, and they did – marking 5 years since the original!

This moment made me realise that I am not ashamed of being in fandoms, because this feeling can’t be matched by anything else. Rewatching them being announced as the winners reminds me of the adrenaline I felt, and it was great. I will never grow out of this behaviour, and I am forever thankful I was born with the fangirl gene.

You can watch the announcement of the VISA fan’s choice award here.

[ARTICLE] When did entertainment become so stressful? – Squid Game

— This article will contain Squid Game spoilers —

Squid Game is a South Korean dystopian survival thriller horror television series created, written and directed by Hwang Dong-hyuk for Netflix. The series revolves around a secret contest where 456 players, all of whom are in deep financial hardship, risk their lives to play a series of children’s games that have been turned deadly for the chance to win a ₩45.6 billion (US$39.86 million) prize.

INTRO

Before I begin to yap, I am not trying to kill the fun of the show, I thoroughly enjoyed the show, but that doesn’t erase how stressful it is – I was quite literally gripping sofa during Season 3 Episode 4’s game. From the very first season, we are not eased into the horrors it displays, we are flung into high-stakes of violence, with bright colours and eerie music. When did our idea of entertainment become so anxiety-inducing?

DATA ANALYSIS + ANECDOTE WITHIN

Squid Game didn’t just just torment its characters, also the viewers; according to ScreenRant, the second season of the show garnered 68 million views in the first three days and became number one in every country on Netflix! That is insane – we all know good shows but for them to excel everywhere?? What’s crazy is that it isn’t a lighthearted fun show – people were tuning in to feel tension.

A study by Mathias Clasen and Marc Andersen involved running several experiments in a haunted-house setting in Denmark which they called “Dystopia”. They hooked heart rate monitors to the participants and recorded how scared they felt and how much enjoyment they felt throughout. They found the participants’ results to have an upside-down U-shape; if participants weren’t scared at all, it wasn’t fun, but if they were too scared the enjoyment level dropped. Andersen worded it as “It is as if humans dislike being very far from their normal physical state but we seem to like being out of our comfort zone,”. This makes sense when applying it to Squid Game; we do not want real physical harm but we enjoy the thrill – the feeling of being off-balance.

The last game in Season 3 Episode 4, let’s be so for real, we all KNEW that Jun-hee was going to die before she even got eliminated, so why were most of us bawling? Even after that you continued to watch it at “torture” yourself, when you KNEW it was going to be emotionally scarring. ACTUALLY NOT EVEN THAT – WAS SEASON ONE NOT ENOUGH FOR YOU?! God bless my girl Sae-Byeok, Ji-yeong and Ali 😔- literally became ill from the amount of tears that were shed.

Anyway, so you’re not insane for finding joy in these types of shows !

#ileftthisforagessohavelostmyflowimsorryloveyoux

[ARTICLE] What is authenticity nowadays?

INTRO

Authenticity = The quality of being real or true.

But what the freak even is authenticity now? Is it being unfiltered or vulnerable? Or is it just another brand aesthetic we’ve adopted through the use of social media? BeReals, monthly photo dumps on Instagram, close friends stories with people that aren’t your actual close friends – these are made to feel like we’re showing our “real”. You missed the two-minute BeReal timer? That’s fine, I know you’re going to stage it later, make sure the books are piled neatly, pens angled correctly, like “oops missed the timer because I was revising” – babes I know you were scrolling on TikTok and just took them books out, don’t even. Like we’re low-key performing relatability now; oh you got a matcha latte? Wow you’re so cute and on-trend – YOU DON’T EVEN LIKE MATCHA!!!!

DATA ANALYSIS

I found a few resources online relevant to my area of interest.

One is a study by Chou et al. (2023), she looks into social media platforms such as YouTube and TikTok are central to our entertainment and even as a source of news to young people. The study also talks about how these platforms encourage people to become content creators. I found this relatable because I see normal people, such as my friends, build their own communities by consistently posting aesthetic/ relatable content that people love to see. It’s as if they’re creating their own brand without needing anything “official”.

Another study by Audrezet et al. (2020), explores how social media influencers try to stay “real” in their content. People value genuineness on social media, especially in a space where we’re constantly told not to believe everything we see. But when that little “paid partnership” or “content collaboration” tag appears on a TikTok, you might instantly assume the influencer isn’t being as genuine as they seem — and that they’re just in it for the money, which, when you think about it, might be the main goal after all.

A third study I found explores the psychological effects of social media and influencing by Duffy and Hund (2015); they look at how becoming a content creator often comes with pressure to behave a certain way e.g. always have positive content or content on a specific topic like for a certain fanbase – if they are to deviate from their initial content, will they get the same feedback? If the likes on the post happen to be low, it could take a toll on them and they may think of themselves as boring, when it’s really just the algorithm not adjusted to this new content.

ANECDOTE

Before I continue, I am not bashing anyone, I am quite literally the same. I am an offender to consumerism the way I will literally buy anything that is relevant at the time just to feel included – that’s not very authentic of me, is it? Heck, I was about to buy a Labubu doll because everyone had one, even though I didn’t see the need for it at all, and was not in a place to be spending any more money on miscellaneous items. I even posted this on my Instagram story:

Multiple people even liked this story, which could potentially mean they agree with me/ had a similar idea. So, what even is authenticity online? Maybe we are posting just to be seen – even if that means posting what we think we want others to see, me included!

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